You Can Be King Again Mask

Japanese manga series by Yuki Midorikawa

Hotarubi no Mori e
Hotarubi no Mori e (manga cover).jpg

The tankōbon cover of Hotarubi no Mori e, first published in Japan in 2003

蛍火の杜へ
Genre Romance, supernatural[ane]
Manga
Written by Yuki Midorikawa
Published by Hakusensha
Imprint Hana to Yume Comics
Mag LaLa DX
Demographic Shōjo
Published July 2002
Volumes one
Manga
Hotarubi no Mori e Tokubetsuhen
Written by Yuki Midorikawa
Published past Hakusensha
Demographic Shōjo
Published September five, 2011
Anime film
Directed past Takahiro Omori
Produced by
  • Shuko Yokoyama
  • Hirofumi Sugawara
  • Masanori Miyake
  • Tomomi Kyōtani
Written past Takahiro Omori
Music by Makoto Yoshimori
Studio Encephalon's Base
Released September 17, 2011
Runtime 44 minutes

Hotarubi no Mori due east (Japanese: 蛍火の杜へ, lit. "Into the Forest of Fireflies' Low-cal") is a i-shot shōjo manga written by Yuki Midorikawa. It was published in the July 2002 issue of LaLa DX in Japan, and in July 2003 information technology was reprinted in a tankōbon brusque story collection of the same proper name, which included four romantic 1-shot stories written by Midorikawa. Hotarubi no Mori e tells the story of a immature daughter named Hotaru and her friendship with Gin, a strange young man wearing a mask, who she meets at the historic period of vi in a mountain woods near her granddad's country home. Hotaru learns that her friend is supernatural and that touching Gin will crusade him to disappear forever. Hotaru returns every summer to spend time with Gin, and their human relationship matures every bit both struggle with its limitations. The inspiration to write the story came of a sudden to Midorikawa, who immediately drew the manga—a process that went smoothly despite some initial conflicting elements. Hotarubi no Mori due east is considered a starting point for Midorikawa's best-known work, Natsume'southward Book of Friends.

A 44-minute anime film with the same title was produced in 2011 at the anime studio Brain's Base of operations and directed by Takahiro Omori. The picture starred Japanese vocalisation actors Ayane Sakura and Kōki Uchiyama, and its soundtrack included music by Makoto Yoshimori. The film maintained a strong following for months in Nippon afterward its opening on September 17, 2011. The European premiere of Hotarubi no Mori e was on Oct 8, 2011 at the Scotland Loves Blitheness festival, where it won the Jury Prize. It was screened at the Leeds International Moving picture Festival, Anime Contents Expo and Anime Expo convention, and likewise won the Animation Picture Award at the 66th Annual Mainichi Film Awards.

The anime was released on Blu-ray Disc (BD) and DVD in Nihon on February 22, 2012. An additional story related to the original manga and anime pic, titled Hotarubi no Mori e Tokubetsuhen ( 蛍火の杜へ 特別編 ), was released in a keepsake edition of the manga 12 days prior to the release of the anime. Both the emblem edition manga and the limited edition BD ranked No. thirteen on Japan'southward Oricon sales nautical chart shortly subsequently their release. Sakura reported experiencing a strong emotional reaction to the story while recording the voice of Hotaru, and Midorikawa acknowledged that the story had a positive impact on her career. Reviewers universally praised the anime flick for its beauty, simplicity, and tenderness, likening it to the works of Hayao Miyazaki of Studio Ghibli and Makoto Shinkai. There were few criticisms, most unremarkably focusing on its brusk length.

Plot [edit]

The original Hotarubi no Mori e shōjo manga[ii] and subsequent flick tell the story of a 6-year-old girl named Hotaru Takegawa, who gets lost in a woods inhabited past a mount spirit, besides as yōkai (strange apparitions from Japanese folklore). She is found past a mask-wearing, human-like entity named Gin, who informs Hotaru that he will disappear forever if he is touched by a human. Gin then leads Hotaru out of the woods. Hotaru returns to visit Gin in the forest over the next few days and they go friends despite the limitations on their interactions. Although at summer's end she must leave Gin to return to the urban center and her studies, Hotaru promises to return to visit him every summertime vacation.

As the years go by, Gin hardly ages while Hotaru physically matures and grows closer to his credible historic period. Upon reaching adolescence, Hotaru begins to struggle with their budding romance and their uncertain time to come together, while Gin wishes he could touch on and concord the young woman that Hotaru has become. When Hotaru reaches high school, Gin takes her on a engagement to a festival in the wood hosted by the spirits. The night ends in tragedy when Gin mistakenly touches a immature boy who snuck into the spirit festival, though before he disappears, he and Hotaru embrace and confess their love for one another. The story ends with Hotaru accepting her pain and moving on with her life, though she will ever treasure the memories of her fourth dimension with Gin.[3] [four] [v] The 2011 anime film adaptation of the story[1] follows all of the events from the manga, calculation only a few boosted scenes.[6]

Hotarubi no Mori eastward Tokubetsu-hen ( 蛍火の杜へ 特別編 , Hotarubi no Mori east special edition ), published in 2011, expands on the original story with a brusque episode told from Gin's perspective.[vii] When Hotaru is a teenager, she shares some pudding with Gin before she leaves at the end of the summer. Subsequently Hotaru leaves, the yōkai effort to cheer Gin up past bringing him a couple of persimmons, one of the nearly prized treats on the mount. Impressed with the taste, Gin thinks of sharing ane of these persimmons with Hotaru next year. Subsequently discussing ways to preserve the persimmon with the yōkai and a spirit named Matsumino, Gin sets off to discover water ice on the highest mountain peak, but is disappointed to find none during the summer. When Gin returns scratched up from his fruitless search for ice, Matsumino feels sad for him and offers to deliver the persimmon to Hotaru for him. Still, non knowing where she lives, Matsumino gets lost and grows hungry. After he returns from his unsuccessful attempt to detect Hotaru, Matsumino apologizes to Gin for eating the persimmon and Gin forgives him. The story concludes with Gin seeing Hotaru the post-obit summer and wondering if he will be able to tell her about his feelings for her.[viii]

Production [edit]

Manga [edit]

The writer, Yuki Midorikawa, explained in the postscript of the Aizoban Hotarubi no Mori east reprint that the idea for the story came to her more easily than for any other work upwards until that signal.[vii] Although she had been planning to write a story as challenging every bit Hotarubi no Mori due east once she had gained more experience writing manga, she decided to undertake the project sooner when the idea for the story all of a sudden came to her. Afraid that she might lose the idea, she promptly began to draw information technology, and Midorikawa's writing progressed smoothly despite having numerous alien ideas for the development of the story.[9]

The story came from Midorikawa's desire to draw several scenes. She was interested in drawing a scene where a boy dodges a girl who is falling towards him.[ten] She also wanted to draw a shadowy summertime forest,[9] which would permit her to aggrandize the range of tones and blacks used in the manga. A third inspiration was the desire to depict a more tranquil summer festival than those she had drawn earlier. She was also eager to create the mask worn by Gin at the festival, which resembled the face of a fox whose typical slitted eyes were replaced by oval ones to give the mask a "creepy" hybrid pull a fast one on-primate advent.[x]

The supernatural beloved story between Hotaru and Gin is considered a starting bespeak for Midorikawa'southward best known work, Natsume's Volume of Friends, which also depicts ill-fated interactions between humans and yōkai (sometimes referred to as ayakashi).[11] [12] In both stories, differences in lifespan and other insurmountable barriers mar their relationships and attempts to understand each other.[12]

Prior to the anime film'due south theatrical release in 2011, Midorikawa published an additional chapter to the story, Hotarubi no Mori e Tokubetsuhen. Since the original story was already complete and she initially felt uncomfortable about adding to it, she opted instead to expand on the story from Gin'southward perspective.[7]

Anime [edit]

Cast[6]
Voice actor Function
Ayane Sakura Hotaru Takegawa
Kōki Uchiyama Gin
Shinpachi Tsuji Hotaru'south grandfather
Izumi Sawada Hotaru'due south mother
Hayato Taya Ryōta ( 亮太 )
Kanehira Yamamoto Shadow yōkai
Masanori Machida Beech Tree Hand yōkai
Hiroki Gotō Lion yōkai
Asami Imai Masked kid (younger brother)
Mami Uchida Masked child (older sister)
Kumiko Tashiro Child at the festival

Co-ordinate to animation managing director Yumi Satou, the anime projection originated with his personal wish to animate the original manga, which he enjoyed.[thirteen] The projection was given blessing in early 2011,[xiv] and according to the film's producer, Shuko Yokoyama, the anime was originally planned as an original video animation, which would not have been released in theaters. However, the popularity of Natsume's Volume of Friends, which was also written by Midorikawa and developed by the same production staff, gave them the support they needed to create an anime film.[xv] The moving picture was produced by the studio Brain's Base and directed by Takahiro Omori, starring Japanese voice actors Ayane Sakura as Hotaru and Kōki Uchiyama as Gin.[fourteen] Satou had oft worked together with Yokoyama on previous projects.[sixteen] Other staff included Akira Takata (grapheme design), Yukihiro Shibuya (art), Hiromi Miyawaki (color pattern), Hitoshi Tamura (photography), and Kazuhiko Seki (editor).[17] The anime moving picture had a very small staff considering it was a very short film and was produced domestically, unlike the Idiot box series, Natsume'south Book of Friends, which was primarily outsourced to other countries—a common tendency in anime production.[xv]

In March 2011, midway through production, the 2011 Tōhoku earthquake and seismic sea wave struck Japan. Despite the national tragedy, the production crew connected its work, and co-ordinate to Omori, the team hoped that their piece of work would help soothe the nation later on it had time to recover. Omori speculated that this was part of the reason for the strong positive reception and the awards the anime later received.[13]

The setting in the manga was based on a shrine in the Kumamoto Prefecture of Japan, known equally Kamishikimi Kumanoimasu Shrine, which is dedicated to Izanagi-no-Mikoto and Izanami-no-Mikoto from Japanese mythology. The animation crew spent two hours searching the location for settings on which they could base of operations their fine art. Because the story was set in the forest of a mountain god, Omori intended the art to represent a "dissimilar world" where the groundwork scenery was obscure and the blue heaven was slightly brighter than normal. Omori and his coiffure devoted extra attention to lighting and coloring, making the forest dim with light coming through the canopy and landing on the characters with the advisable intensity. The contrast between light and night was also used during the festival scene to emphasize its bizarre nature, reminding the audience that Hotaru should non exist there. Considering of the significance of the summer season to the story, Omori deliberately loaded the picture show with summer scenes, such equally rustling leaves and chirring of cicadas.[18]

According to the Omori, the idea for the opening scene was suggested past Yokoyama; following traditional cinematography, the images of scenes indirectly related to the primary story were played while the opening credits appeared. Originally intended to show Gin'south life before meeting Hotaru, Omori allowed the viewer to make up one's mind its relationship in time with the primary story. Omori also opted to start Hotaru's narration from a fourth dimension subsequently the story's primary events; showing Hotaru equally an 18-year-erstwhile who had just graduated high school and heading dorsum to visit her relatives near the wood. By having Hotaru tell the story in retrospect, Omori idea it provided a more than human feel and gave more than meaning to the final scene, where Hotaru expresses her hopes for the hereafter by saying, "Come up on, let's go."[19]

One of the difficulties in adapting the manga to anime, according to Omori, was that the developing relationship between Hotaru and Gin had to exist shown visually, rather than through monologue. One way in which this was done used Hotaru's yearly change in height—by subtly showing the convergence of the length of their strides when walking, the audience is led to perceive a modify in their relationship. Omori as well wanted to portray more depth to Hotaru'due south character by expanding on her school life. Although the manga depicted a brief flash of her life in middle school, the anime depicted scenes from both aspects of her life.[18]

Omori shared a draft of the motion picture with composer Makoto Yoshimori then that he could write music to match the tempo. However, in that location was some disagreement over the catastrophe theme, which Omori and Yoshimori discussed at length over e-mail. Although neither would compromise on key points, the issue was somewhen settled and the ending theme was finalized.[18]

Hotaru'south voice actor in the anime moving-picture show, Ayane Sakura, was a fan of Midorikawa and owned the original manga. In an interview, she mentioned that she was thrilled to get an audience and ultimately the part, and also admitted that she shed tears while recording. Kōki Uchiyama, who played Gin, read the manga for the audition, and confessed that he was concerned at first virtually how to portray his character, though his work made him feel skillful. The moving picture was initially pre-scored, where the vox interim was recorded prior to the cosmos of the animation, but later re-recorded for the final version.[twenty] According to Omori, this allowed the blitheness to emphasize natural pauses in the dialogue and allow the bandage set the rhythm and tempo.[12]

Media [edit]

Manga [edit]

The manga was first published in the July 2002 issue of Hakusensha's LaLa DX in Japan. It was first reprinted on July 10, 2003 in the tankōbon entitled Hotarubi no Mori e,[21] which included iv previously published romantic one-shot stories by Yuki Midorikawa. In improver to the titular short story, the book included "Hanauta Nagaruru" (Apr 2003), "Kurukuru Ochiba" (November 2002), and "Hibi Fukaku" (Jan 2003).[2] As part of the 2003 tankōbon short story collection, each of the four one-shot stories were set in a dissimilar flavour: "Hanauta Nagaruru" in leap, "Hotarubi no Mori e" in summertime, "Kurukuru Ochiba" in fall, and "Hibi Fukaku" in winter. Within the tankōbon, the stories were arranged in society from spring to winter, although they were originally published in a unlike order.[22] As of May 15, 2012, the tankōbon was on its 19th printing.[21]

On September five, 2011, 12 days prior to the anime film's premiere in Japan, a new story related to Hotarubi no Mori e was published every bit part of a keepsake edition of the original manga, Aizoban Hotarubi no Mori eastward ( 愛蔵版 蛍火の杜へ ). The 12-page story, titled "Hotarubi no Mori e Tokubetsuhen" ( 蛍火の杜へ 特別編 ), is one of four short stories included in the keepsake edition, which also includes the original "Hotarubi no Mori east" and two other older works by Midorikawa: "Taion no Kakera" ( 体温のかけら ) (2003) and "Hoshi mo Mienai" ( 星も見えない ) (2005).[23]

No. Championship Release date ISBN
Hotarubi no Mori eastward (蛍火の杜へ) July 10, 2003 978-4-592-17890-three
  • Story i: "Hanauta Nagaruru" ( 花唄流るる , lit. "Overhearing a Blossom Song)
  • Story ii: "Hotarubi no Mori e" ( 蛍火の杜へ )
  • Story 3: "Kurukuru Ochiba" ( くるくる落ち葉 , lit. "The Falling of Autumn Leaves')
  • Story 4: "Hibi Fukaku" ( ひび、深く , lit. "Deepening the Scar")
Aizoban Hotarubi no Mori e (愛蔵版 蛍火の杜へ) September 5, 2011 978-4-592-19840-vi
  • Story 1: Hotarubi no Mori eastward ( 蛍火の杜へ )
  • Story 2: Taion no Kakera ( 体温のかけら )
  • Story 3: Hoshi mo Mienai ( 星も見えない )
  • Story 4: Hotarubi no Mori east Tokubetsuhen ( 蛍火の杜へ 特別編 )

Anime [edit]

The anime movie, Hotarubi no Mori e, is categorized equally a drama/romance, with a running time of 44 minutes. In March 2011, the anime version was to be put on brandish at the Anime Contents Expo in Chiba, Japan, along with new work on Natsume's Volume of Friends,[i] merely the event was canceled following the 2011 Tōhoku earthquake and seismic sea wave.[24] The opening date for the film was announced on June 4 on the motion-picture show'south official website.[fourteen] On June 18, special pre-social club tickets were sold forth with the limited offering of a free poster.[fourteen] Around a week after, iv tv commercials focused on the anime's main characters were streamed from the film's official website.[25] 16 days before the official release, a 96-2nd trailer was posted on Picture palace Today, a Japanese movie website.[26]

The film opened in Japan on September 17, 2011, playing at Theater Umeda in Osaka and Ikebukuro's Cine Libre in Tokyo.[14] The European premiere of Hotarubi no Mori e was on October 8, 2011 at the Scotland Loves Animation festival in Glasgow, followed past interviews and a Q/A session with the animation director and the producer.[15] [16] [27] It was screened again at the Scotland Loves Animation festival in Edinburgh on October 14, forth with two other short films produced by Brain's Base studio.[28] It was also a late addition to the 2011 Leeds International Film Festival and shown as a complimentary presentation on November 18 in Leeds Boondocks Hall.[29] [30] Hotarubi no Mori e was one of 60 titles screened at the first Anime Contents Expo held at Makuhari Messe in Chiba in belatedly March 2012.[31] It was also shown on June 30, 2012 at the Anime Expo convention at the Los Angeles Convention Heart.[32]

Limited edition copies of the Blu-ray Disc and DVD were released in Japan on February 22, 2012. The express edition sets included card set illustrations, stickers, a 40-page booklet, a strap with an attached mask (similar Gin'southward), and other limited fourth dimension specials. The DVD was also released at the same time without these extras.[33]

Music [edit]

The original soundtrack (itemize number: SVWC-7783) was released on Baronial 24, 2011, less than a month prior to the release of the anime picture show. The music was recorded by Makoto Yoshimori, and the catastrophe theme, "Natsu o Miteita" ( 夏を見ていた , lit. "I Was Watching Summertime"), was sung by Shizuru Ōtaka.[xiv] [34]

All tracks are written by Makoto Yoshimori.

Hotarubi no Mori e Original Soundtrack [34] [35]
No. Title Length
ane. "Natsu o Miteita" ( 夏を見ていた , I Was Watching Summer) v:28
2. "Komorebi no Komichi" ( 木漏れ日の小道 ) 2:58
3. "Ojii-chan no Tenohira" ( おじいちゃんの手のひら ) 3:05
4. "Aru Hi, Mori no Naka" ( ある日、森の中 ) two:47
five. "Natsu to Machiawasete" ( 夏と待ち合わせて ) 3:44
6. "Chokoreito" ( ちょこれいと , Chocolate) 1:52
7. "Yurayura to Hirahira to" ( ゆらゆらとひらひらと ) four:02
8. "Aki mo Fuyu mo Haru mo" ( 秋も冬も春も ) 4:26
9. "Tsuki no Ito Akaki ni" ( 月のいとあかきに ) 3:34
10. "Kanakana Shigure" ( かなかなしぐれ ) 3:48
xi. "Yamagami no Mori eastward" ( 山神の森へ ) iii:31
12. "Shuiro no Inori" ( 朱色の祈り ) 1:54
Total length: 41:fourteen

Reception [edit]

Twelvemonth Laurels Category Result
2011 Scotland Loves Animation Jury Prize Won
Mainichi Movie Award Animation Motion-picture show Accolade Won

The keepsake edition manga, Aizoban Hotarubi no Mori east by Midorikawa, ranked No. 13 on Nippon's Oricon comic sales chart during September 5–11, 2011, with xl,641 copies sold during its first week.[36]

In Japan, the anime was considered a hit, alluring many fans at each screening in Tokyo for several months.[37] Following its European premiere at the Scotland Loves Animation festival in Glasgow, Hotarubi no Mori e was awarded the Jury Award.[29] [xv] In January 2012, it won the Blitheness Picture Honour at the 66th Annual Mainichi Film Awards and received at the awards ceremony held on February 13, 2012 in Kawasaki, Japan.[38] [39] The limited edition Blu-ray Disc also ranked No. thirteen on Oricon's weekly BD sales nautical chart between February xx–26, 2012, with 7,171 copies sold in the five days following its release.[40]

The anime motion-picture show of Hotarubi no Mori e was well received past its reviewers,[4] [37] and likened to the works of Hayao Miyazaki of Studio Ghibli[4] and Makoto Shinkai.[37] Britain Anime Network's Andy Hanley, who attended a screening at the Scotland Loves Animation festival, said it is "beautiful in its simplicity", though noting that the climax seemed a bit rushed and sudden, leaving the audition to struggle with their emotions.[37]

This is a ten-year tale of dear, and the weight of the story is on loss. Yet, what is left at the cease is renewal.

Director Takahiro Omori, September 2011[18]

Nicoletta Browne of T.H.East.M. Anime Reviews described information technology every bit a "vignette of bloodshot nostalgia", praising the anime for beingness a "gorgeously detailed piece with beautiful animation." Browne likewise wrote favorably of the story's progression, noting that its dark undertones grew heavier as the main character matured, and that the consistent characterization of Hotaru from childhood to her early teens was impressive, especially given the film'southward length. Browne's criticisms were express to noting the moving-picture show'due south curt length, a disharmonism between the cartoonish depictions of the wood spirits and the rest of the movie, and an issue with one element of plot evolution near the cease of the pic. She did note that sensitive viewers may interpret some aspects of the story equally inappropriate, such equally the initial historic period difference between the main characters and the way Gin punishes Hotaru as a child when she tries to bear on him. In the case of the former, Browne noted that their romance adult only when Hotaru began to approach Gin'southward physical age, and with the latter, she noted that no harm was intended. In both cases, she also mentioned that cultural differences must be considered.[4]

Both Yokoyama and Satou noted the "Japanese-ness" of the anime during the panel word following the main showing at the Scotland Loves Animation festival. Yokoyama had originally been concerned that foreign audiences would non fully sympathise and appreciate the piece of work, but the reaction of the audience at the Glasgow showing alleviated his concerns. According to Yokoyama and Satou, elements of the story that exhibited potent elements of Japanese civilisation included the watermelon eating scene, the part where Gin hits young Hotaru over the caput with a stick, and the scene where immature Hotaru gets scared at night when she sees the face of a yōkai in the patterns of the wood panels on the ceiling.[15]

Midorikawa attributed the success of Hotarubi no Mori e to the quality of the story, noting even those readers of the original manga who were critical of her artwork were fatigued to read the story from start to stop. She speculated that hiding Gin's face up behind a mask had helped mitigate some of the artistic issues for which her before work had been criticized. The intense pressure experienced past Midorikawa early in her manga writing career was relieved as a result of the positive feedback she received upon her success with Hotarubi no Mori e.[9] In 2011, she expressed excitement for the new anime film and having the manga reprinted in a new short story drove, remarking that her attempts to write about her feelings and recent experiences in relation to Hotarubi no Mori e brought tears to her eyes.[41] She described the story equally a "precious piece of work" that helped her build social connections.[vii]

References [edit]

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  38. ^ "コンクールの歴史 第66回毎日映画コンクール" [History of the 66th Mainichi Moving-picture show Competition]. Mainichi News. Archived from the original on August 31, 2012. Retrieved August 30, 2012.
  39. ^ "Hotarubi no Mori east, 663114 Win at 66th Mainichi Film Awards". Anime News Network. January 17, 2012. Archived from the original on August 31, 2012. Retrieved August 28, 2012.
  40. ^ "Japan's Animation Blu-ray Disc Ranking: February 20–26". Anime News Network. February 28, 2012. Archived from the original on August 31, 2012. Retrieved Baronial 28, 2012.
  41. ^ Midorikawa 2011, p. 19.

Literature cited [edit]

  • Midorikawa, Y. (2003). Hotarubi no Mori e 蛍火の杜へ [Into the Forest of Fireflies' Low-cal] (in Japanese). Hana to Yume Comics, Hakusensha. ISBN978-four-592-17890-iii.
  • Midorikawa, Y. (2011). Aizoban Hotarubi no Mori e 愛蔵版 蛍火の杜へ [Favorite Book: Into the Forest of Fireflies' Lite] (in Japanese). Hakusensha. ISBN978-4-592-19840-vi.
  • Omori, Takahiro (2011). Hotarubi no Mori east 蛍火の杜へ [Into the Wood of Fireflies' Calorie-free] (Blu-ray insert booklet) (in Japanese). Encephalon'south Base.
  • "Hotarubi no Mori east". Pash! Deeep!!! (in Japanese). Shufu to Seikatsusha. 5: 21–26. September 2011.

External links [edit]

  • Hotarubi no Mori e anime official website (in Japanese)
  • Hotarubi no Mori e (manga) at Anime News Network's encyclopedia
  • Hotarubi no Mori east at IMDb

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Source: https://en.wikipedia.org/wiki/Hotarubi_no_Mori_e

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